SCHNAUZE VOLL ... erm... sorry.
- documentation continued. Still work in progress. git-svn-id: https://assimp.svn.sourceforge.net/svnroot/assimp/trunk@30 67173fc5-114c-0410-ac8e-9d2fd5bffc1fpull/1/head
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doc/dox.h
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doc/dox.h
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@ -241,10 +241,153 @@ Auch das Logging noch erkl
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/**
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/**
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@page data Data Structures
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@page data Data Structures
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Grundlegend: Koordinatensystem, aiScene (Link), Erklärung Hierarchie, Nodes, Verweis auf Meshes, Mesh-Sammlung,
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The ASSIMP library returns the imported data in a collection of structures. aiScene forms the root
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Einzel-Mesh, Mesh-Komponentenbauweise, Verweis auf Material, Material-Sammlung, Erklärung Material-Tags,
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of the data, from here you gain access to all the nodes, meshes, materials, animations or textures
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Animations-Sammlung, Einzel-Animation, Interpretation der Keyframes.
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that were read from the imported file. The aiScene is returned from a successful call to
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Bones: Finden und Zuordnen der Bone-Hierarchie zu Meshes.
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Assimp::Importer::ReadFile(), aiImportFile() or aiImportFileEx() - see the @link usage Usage page @endlink
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for further information on how to use the library.
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By default, all 3D data is provided in a right-handed coordinate system such as OpenGL uses. In
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this coordinate system, +X points to the right, +Y points away from the viewer into the screen and
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+Z points upwards. Several modelling packages such as 3D Studio Max use this coordinate system as well.
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By contrast, some other environments use left-handed coordinate systems, a prominent example being
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DirectX. If you need the imported data to be in a left-handed coordinate system, supply the
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aiProcess_ConvertToLeftHanded flag to the ReadFile() function call.
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All matrices in the library are row-major. That means that the matrices are stored row by row in memory,
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which is similar to the OpenGL matrix layout. A typical 4x4 matrix including a translational part looks like this:
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@code
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X1 Y1 Z1 T1
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X2 Y2 Z2 T2
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X3 Y3 Z3 T3
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0 0 0 1
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@endcode
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... with (X1, X2, X3) being the X base vector, (Y1, Y2, Y3) being the Y base vector, (Z1, Z2, Z3)
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being the Z base vector and (T1, T2, T3) being the translation part. If you want to use thess matrices
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in DirectX functions, you have to transpose them.
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@section hierarchy The Node Hierarchy
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Nodes are little named entities in the scene that have a place and orientation relative to their parents.
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Starting from the scene's root node all nodes can have 0 to x child nodes, thus forming a hierarchy.
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They form the base on which the scene is built on: a node can refer to 0..x meshes, can be referred to
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by a bone of a mesh or can be animated by a key sequence of an animation. DirectX calls them "frames",
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others call them "objects", we call them aiNode.
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A node can potentially refer to single or multiple meshes. The meshes are not stored inside the node, but
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instead in an array of aiMesh inside the aiScene. A node only refers to them by their array index. This also means
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that multiple nodes can refer to the same mesh, which provides a simple form of instancing. A mesh referred to
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by this way lives in the node's local coordinate system. If you want the mesh's orientation in global
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space, you'd have to concatenate the transformations from the referring node and all of its parents.
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Most of the file formats don't really support complex scenes, though, but a single model only. But there are
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more complex formats such as .3ds, .x or .collada scenes which may contain an arbitrary complex
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hierarchy of nodes and meshes. I for myself would suggest a recursive filter function such as the
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following pseudocode:
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@code
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void CopyNodesWithMeshes( aiNode node, SceneObject targetParent, Matrix4x4 accTransform)
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{
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SceneObject parent;
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Matrix4x4 transform;
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// if node has meshes, create a new scene object for it
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if( node.mNumMeshes > 0)
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{
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SceneObjekt newObject = new SceneObject;
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targetParent.addChild( newObject);
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// copy the meshes
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CopyMeshes( node, newObject);
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// the new object is the parent for all child nodes
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parent = newObject;
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transform.SetUnity();
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} else
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{
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// if no meshes, skip the node, but keep its transformation
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parent = targetParent;
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transform = node.mTransformation * accTransform;
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}
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// continue for all child nodes
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for( all node.mChildren)
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CopyNodesWithMeshes( node.mChildren[a], parent, transform);
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}
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@endcode
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This function copies a node into the scene graph if it has children. If yes, a new scene object
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is created for the import node and the node's meshes are copied over. If not, no object is created.
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Potential child objects will be added to the old targetParent, but there transformation will be correct
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in respect to the global space. This function also works great in filtering the bone nodes - nodes
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that form the bone hierarchy for another mesh/node, but don't have any mesh themselfes.
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@section meshes Meshes
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All meshes of an imported scene are stored in an array of aiMesh* inside the aiScene. Nodes refer
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to them by their index in the array and provide the coordinate system for them. One mesh uses
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only a single material everywhere - if parts of the model use a different material, this part is
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moved to a separate mesh at the same node. The mesh refers to its material in the same way as the
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node refers to its meshes: materials are stored in an array inside aiScene, the mesh stores only
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an index into this array.
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An aiMesh is defined by a series of data channels. The presence of these data channels is defined
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by the contents of the imported file: by default there are only those data channels present in the mesh
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that were also found in the file. The only channels guarenteed to be always present are aiMesh::mVertices
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and aiMesh::mFaces. You can test for the presence of other data by testing the pointers against NULL
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or use the helper functions provided by aiMesh. You may also specify several post processing flags
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at Importer::ReadFile() to let ASSIMP calculate or recalculate additional data channels for you.
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At the moment, a single aiMesh may contain a set of triangles and polygons. A single vertex does always
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have a position. In addition it may have one normal, one tangent and bitangent, zero to AI_MAX_NUMBER_OF_TEXTURECOORDS
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(4 at the moment) texture coords and zero to AI_MAX_NUMBER_OF_COLOR_SETS (4) vertex colors. In addition
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a mesh may or may not have a set of bones described by an array of aiBone structures. How to interpret
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the bone information is described later on.
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@section material Materials
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All materials are stored in an array of aiMaterial inside the aiScene. Each aiMesh refers to one
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material by its index in the array. Due to the vastly diverging definitions and usages of material
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parameters there is no hard definition of a material structure. Instead a material is defined by
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a set of properties accessible by their names. Have a look at aiMaterial.h to see what types of
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properties are defined. In this file there are also various functions defined to test for the
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presence of certain properties in a material and retrieve their values.
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@section bones Bones
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A mesh may have a set of bones. Bones are a means to deform a mesh according to the movement of
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a skeleton. Each bone has a name and a set of vertices on which it has influence. Its offset matrix
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declares the transformation needed to transform from mesh space to the local space of this bone.
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Using the bones name you can find the corresponding node in the node hierarchy. This node in relation
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to the other bones' nodes defines the skeleton of the mesh. Unfortunately there might also be
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nodes which are not used by a bone in the mesh, but still affect the pose of the skeleton because
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they have child nodes which are bones. So when creating the skeleton hierarchy for a mesh I
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suggest the following method:
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a) Create a map or a similar container to store which nodes are necessary for the skeleton.
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Preinitialise it for all nodes with a "no". <br>
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b) For each bone in the mesh: <br>
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b1) Find the corresponding node in the scene's hierarchy by comparing names. <br>
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b2) Mark this node as "yes" in the necessityMap. <br>
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b3) Mark all of its parents the same way until you 1) find the mesh's node or 2) the parent of the mesh's node. <br>
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c) Recursively iterate over the node hierarchy <br>
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c1) If the node is marked as necessary, copy it into the skeleton and check its children <br>
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c2) If the node is market as not necessary, skip it and do not iterate over its children. <br>
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Reasons: you need all the parent nodes to keep the transformation chain intact. Depending on the
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file format and the modelling package the node hierarchy of the skeleton is either a child
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of the mesh node or a sibling of the mesh node. Therefore b3) stops at both the mesh's node and
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the mesh's node's parent. The node closest to the root node is your skeleton root, from there you
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start copying the hierarchy. You can skip every branch without a node being a bone in the mesh -
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that's why the algorithm skips the whole branch if the node is marked as "not necessary".
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You should now have a mesh in your engine with a skeleton that is a subset of the imported hierarchy.
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@section anims Animations
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@section textures Textures
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*/
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*/
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/**
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/**
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